Wednesday, April 25, 2007

A Global Conversation in Art

World Factory: Shotgun Review

Mario Rizzi, Murat and Ismail, 2005. DVCAM film, Dolby stereo sound

In recent years, San Francisco has experienced an influx of internationally-respected curators, whose work here challenges the often-criticized provincialism of our city. Most palpably, the healthy rivalry between SFAI and CCA to bring in top names in the field has had a galvanizing effect on the Bay Area scene, as newcomers and locals alike compete to heighten our awareness of global issues and artists. Hou Hanru—famous for exhibitions such as Z.O.U.—Zone of Urgency at the 2003 Venice Biennale and the touring exhibition Cities on the Move, and now SFAI’s Director of Exhibitions and Public Programs—launched an ante-upping volley this spring with his epic three-part exhibition World Factory.

"We are again a city to be reckoned with, our local politicians promoting environmentalism and diplomacy on the national and international stages. So should we encourage a global conversation in art, which neither prioritizes nor excludes our own." - Anuradha Vikram.

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